I write a poem a day (sometimes two). So far, just for the eyes of a hand-picked long-suffering group of friends and acquaintances who've expressed an interest in seeing them. Now I'm going to experiment, day by day, by posting what I write here as well. Probably all you need to know about me you'll find by googling on "Guy Kettelhack."

http://www.google.com/search?hl=en&ie=ISO-8859-1&q=%22Guy+Kettelhack%22&btnG=Google+Search

Otherwise, check in, as you'd like, to see whatever it is I do. Might provide the occasional entertaining distraction.

cheers,

Guy Kettelhack

GuyBlakeKett@gmail.com

GuyBlakeKett@aol.com

 

December 31, 2006

 

I Won't Take No for an Answer

 

I won't take no for an answer. But nor will I trust yes.

What will I take for an answer – an educated

guess? Not unless what feeds the blind surmise has

 

some relation to what human eyes have seen

peripherally – on the sly. I'll listen to the lone reply

which, passing, nods to the overt but readily cavorts

 

with the covert: whose sense is dense, and never

offers recompense to expectation: tinted with 

a hint but otherwise is full of wanton cry. I'll heed

 

the banshee wail whose note is hard to tell from

wind in sail: the herald who proclaims an arbitrary list

of names as if each had precisely equal meaning:

 

leaning towards whatever momentary spurt of motion’s

just occurred: is spurred no less by void than it

avoids a cancer. That’s what I'll take for an answer.

 

 

December 30, 2006

 

When We're Done, We'll Clean It Up

 

Filigree and folderol of fantasy!

One wonders why one’s brain

appears synaptically inclined

 

to conjure up such dollops of

unnecessary goo. Put it on my

knee and wallop it is what I'd like

 

to do: kick its fat behind. But it would

just spray out like bits of gelatin or mercury

or tangle up like fishing line and nothing would be left

 

but ex post facto slime: fantasies occlude, and block: they

seek an ideology of shock: rude system to insure a thrill

no matter what must be endured: that we can make

 

the face of anything sublime if we would only,

for example, just imagine ourselves free

of space and time. They fester like

 

the promise of a meltdown:

dangerous in prospect

but benignant

 

in effect –

at least until

 

we help them splay into

the wreck of actuality. Maybe radio-

 

activity is what it’s all about: to twist and shout

and act our toxic natures out. If so, please understand it’s

 

for your good as well as mine to take my hand and do exactly what

I want. You be the queen, I'll ask wassup. When we're done, we'll clean it up.

 

 

December 29, 2006

 

My Evolving Fate

 

If it’s true that we too regularly misconstrue

one circumstance, event or situation as

more crucial than another, then it follows

that we ought to pay attention more than

virtually any of us do to everything: become

a lidless eye: no matter if we’re skidding off

a surface or spelunking into an unfathomable

deep: awake, asleep: there’s nothing up

or down or in or out that doesn’t warrant

the persistent clout of one’s rapt curiosity:

 

and so in the availing maelstrom of my local deli,

I just tossed an onion – sweet and red – into

a basket with two packages of fancy crackers

(garlic/salt): a kind Korean cashier rang it up,

and as if onions had aligned in Vegas slot

machines, the total was precisely five and

zero, zero: handed him a bill and it’s as if

the world stood still: “Imagine that, no change!”

said I, and he looked back at me as if he

knew we both aspired to the range of

 

receptivity afforded by that lidless eye. Well,

maybe not: he smiled, at least: and I released

into the day and found my way upstairs to my

refrigerator from which I retrieved a block

of cheese and went about the ministrations

(with a knife) that would result in onion, cheddar,

salt-and-garlic crackers in coordinated presence

on a plate: rife with probabilities, not least

of which is that I’d eat. And so I ate. And met

one meshed iota more of my evolving fate.

 

 

December 28, 2006

 

My Work

 

My day is odd and right: it’s full of stain

and covert light – obliquely angling

into corners I could never have foreseen:

sometimes voluptuously rolling onto satin –

dazzling sheen! - at others, tumbling

 

on a humbler surface, forest-green and

matte as felt: I am the billiard ball; my

day’s the stick: and I get regularly belted:

hit – careen and squall – then fall into

an untoward hole or two: I sort out red

 

from blue and choose the yellow –

for a while (yellow’s really not my style):

seek a stringency – and sex!: yes – let’s

investigate the body – look at all that meat! –

audacious gift! – tumescent pleasure! –

 

onward to the treasure! – which we find

by jumping off a cliff into the brine we’ve

left in sweat from humping backs and

butts and thighs: one way to move past

a surmise into a certainty is to employ

 

a craft – which I now build from fore to aft –

to take off into our effluvially fluent sea!:

without an anchor, fear of drowning, or

a rudder or an oar. You implore me: why

do I grind so much life and mind to quirk?

 

It is my work.

 

 

December 27, 2006

 

The Way I Think Things Are

 

Drunk leans on the chain link fence,

fingers clutching wire: stares into

the empty lot – as dense, expired

 

as heavy winter sky and town:

all sodden grayish brown.

He leers out at two plumped-up

 

pigeons squatting on the ground:

“Yo! Pretty mamas! Lookin’ fine!”

Pigeons blink – don't seem to mind.

 

I suspect that any Christ, who’s

asked to prove he’s God, would

look around him once or twice –

 

then throw his hands up: “Odd

you'd ask!” – then turn and sigh

and disappear –  and leave it

 

up to us to figure out that

neither there nor here is any

cosmological inconsequence.

 

Nothing – from a pigeon,

drunk, or chain-link fence, up

to the brightest star – is not

 

a peerless avatar. As I squint

at the near and far, that’s

the way I think things are.

 

 

December 26, 2006

 

You Could Be Next

 

By now this neighborhood’s my home: its 1840s,

1880s, 1920s contours on McDougall, Sullivan

and Prince Streets – thick reflexive ornament

affixed according to their fashions’ mixed

assumptions and assertions: ramrod sniffy upper-

class to get-your-ass-here come-on crassness –

 

all have long outlived their first coercions: gently

settle in the gray December day as if they've

never cared much that they looked this way:

frowsy and complacent: older than whoever’s

walking by will ever be. I don't much care how

I look either as I take a breather from the holiday

 

and cross the highway of West Houston Street

en route to Greenwich Village: out to loot

and pillage for a poem: feel the urge but no

particularly vivid surge has yet occurred.

Then suddenly, I see what I have come to find:

a young man walking his white poodle passes by:

 

a dog who every sixth or seventh step leaps

straight up – on and off all fours – as if he were

a helicopter trying to take off – repeats the jump

again, again, and I cannot think when I've

seen a creature more transfixed by possibilities

of flight. I watch them walk and leap away

 

until they are completely out of sight. But

this just whets my appetite. I plan to pirate

something else from this unwitting city unaware:

Be careful lady! – I'm more daring than I look.

I'm out for something even stranger than

a leaping dog with no pretext. You could be next.

 

 

December 25, 2006

 

The Deal

 

I guess one thing I get about the deal

is its voluptuousness: layers, velvet

thicknesses, and lace: it wants to weave

 

complexity – encumber space – and more

than not succeeds: perhaps it answers

needs we don't address in the U.S. except

 

for now: today we'll milk a brocade cow

and get crème fraiche, we'll kneel to ornate

painted figures in a crèche: like Henry James,

 

we cannot have too much. I guess one

thing I get about the deal is its propensity

to steel against the emptiness – and hoard –

 

and treat the solstice like the dangerous

phenomenon it is: the proof that darkness

can and will prevail, against which we

 

must raise a gilded cup and sing “Wassail!”

Right now, we know there is a banshee

wail deep in the heart of everything.

 

We guard against the dark, strike sparks,

and seek relief from night. One day we

know we'll lose: today we'll win, or might.

 

 

December 24, 2006

 

My Winter Blood

 

I've fostered an encounter

with an out-of-date mosquito:

thing has buzzed me every

night: I feel for that poor lonely

creature: wouldn't mind

surrendering my winter blood

to it: but so far he has not alit.

I wonder if one ever does –

 

alight, that is – I wonder what

he lives on: hope? Christmas

is the oddest time: like moping

through the marshland, leaky

hip-boots, through the reeds

among mosquitoes, bees:

paranoid that rabid otters will

attack: feeling out of whack.

 

Everybody seems to want

something. Low-grade chronic

expectations of disaster while

pretending to be happy: prone

to tears at manufactured memories:

constipatedly attempting to adore

oh-come-let-us-adore-him:

venerating sappy. I'm slogging

 

through the marshland, naked

now, determined to take on

whatever varmint wants a piece

of me: my fists are up, I will

not duck. The afternoon grows

long – and soon the night

will come and slumber on.

I can't recall what’s wrong.

 

 

December 23, 2006

 

I Suppose I Know

 

I'm really good at saying no, but I suppose I know

I will succumb – although the caverns I hide out

in until right before the things I've mightily resisted

once again have won are inaccessible to you:

don't try to tell me what to do. But oh! – the day

I've had. It’s Christmas – so the damned entirety

 

of everything insists – and I crept up from my dark

cave as if someone had stuck a sharp point of

a holly leaf into a voodoo doll that looked like me:

I zombied to the store and bought a dozen things

or more and made up little Christmas bags

of silly stuff to give to people I invited in a dazed

 

involuntary state to venture out with me into

the Christmas night. But worse: I scrubbed

the kitchen floor – and more: the bathroom sink

and tub and tiles and all the while the little artificial

tree I told myself this year I definitely wouldn't

drag out, put back on a bookcase, had escaped:

 

now there it is, its tiny lights a goading bit of evidence

I have not conquered anything. I draw the line:

I will not think about the holidays that used to make

some sense: the ones for which my mother was

the recompense: no carols will be sung. But probably

that’s dumb. I suppose I know I will succumb.

 

 

December 22, 2006

 

Just After Solstice

 

She says she can't abide it:

if only he would treat her like

the brilliant woman she would

 

like to think she is – and is,

or would be, if he'd only stop

harassing her poor psyche

 

for a moment – she'd foment

a very different order – be a very

different being: seeing would

 

be glorious as soon as she felt

loved. Instead she’s shoved

herself into a pit about as lovely

 

as the word I'm thinking of

that rhymes with it: all brown:

diseased. A shutter won't release:

 

she’s wedged into a crease

of suppurating dread inside

her head. She thinks she might

 

be better dead. As she aches

into the phone into my ear,

I look out at December noon

 

just after Solstice: twenty-second

of the month: a tiny bit more

day today than yesterday.

 

The light’s a sweet dove-gray.

I wonder it takes to learn

to love a day this way.

 

 

December 21, 2006

 

A Virus Pens a Poem

 

The time has come to write

an executed document –

corral it out of sight

until it has the shock you want:

 

the proper distribution

of aches – unkempt desires –

the ink a dark ablution

of body fluids: fires

 

of fever burn an even

slash across the page:

black hole you can believe in –

dimensions that will rage

 

you brutally into the new –

pro-rated over afternoons

of feeling sodden: screw

the consequences: moons

 

are all that matter now.

The time has come to write

and sign the thing: avow

your substance is the night.

 

 

December 20, 2006

 

Left it to Beaver

 

Every day, religiously, I come to leave it to old

“Beaver” reruns to inoculate, intoxicate like heroin:

with endless cool annulments of the worried mind:

just try to find a finer tailored calm example of this

medicine than June, the heroine, the mom! –

American aplomb without a limit or a barrier, low

voice like a deliberate repression of some bluesy

 

tune: blown to slightly smoky crystal kept from ever

shattering: a smattering of sleepiness without

one hint of sex. Each episode she murders Oedipus,

as son and rex: in every form of man who comes

to feed from her accomplished ruthless hand:

pious husband Ward – her boys: the ripening and

thwarted Wally and the cipher Beaver, talentless

 

and plain. Watching this is opening your toddler

mouth to a suburban rain whose density condenses

to a syrup: lick your fear up: drown it in this drugged

incarcerating wine! I lapped it up like policy and

prophesy when I was nine. Now it glazes me like

Mrs. Cleaver’s ham into an eerie, not unpleasant

stupefaction: baked and stunned and pink: supine.

 

 

December 19, 2006

 

Life Without a Mate

 

Cruel senile delinquent! That’s who

you will be. We'll find you naked in

the streets engaged in various untoward

activities involving marmosets, uncooked

spaghetti and a paper toweling tube.

You won't use lube. You'll be audacity.

But as you tabulate what specificity of

insight you can claim from the vicissitudes

of even your most ordinary interludes,

 

you feel constrained from obligation

to report: sex is not a finally availing sport,

and love’s a glimmer on the brain:

sustained precisely for as long as you

don't notice it: like air you'd choke on

if you realized you breathed. Alas – one

realizes that one breathes, and loves,

and though the air’s still there, the love,

once labeled, scares itself into a mist:

 

despite how ardently you may by anybody

have been kissed: gone – lost its dawn.

Look for play at this point in your dissolution

and the only kind that interests you’s

against the law. Like throwing random

punches at a stranger’s jaw. Husband?

Wife? Not your fate. Life without a mate?

One long blind date. Don't be sad. Given

most alternatives you know, it ain’t half bad.

 

 

December 18, 2006

 

Can't do Kant

 

He tells me I should pick up Kant.

I tell him, not right now, I can't.

Although I know Immanuel would boost

me - so would Plato, Seuss and Proust -

and other numberless smart cattle.

But I know I must pick each battle

and decide quite carefully myself

what next to take off from the shelf.

At some loss? Sure: but let's say I'm

too sure there's too damned little time.

 

-----------

 

Anyway

 

December cloudbank – moving

like a giant Chekhov stage-set over

unseen space: this great eruptive

and translucent mass – all pearl and

milk glass – with the sting of something

 

sour, darker, wilder streaking through it

more like hiss than lightning, but with

no less zap: all falls through semi-blinded

windows in my lap. Someone knocks:

who’s that? Christmas is a-comin’:

 

vacuousness getting fat: wide open –

and as gray as the impressive ambiguity

of this fine New York day. I look at

any mote of it, and say: let’s stay –

and play – anyway. Go to blazes, holiday.

 

 

December 17, 2006

 

To the Bone

 

The world will not obey.

He cannot get his way.

It seems to me he doesn't

notice that ‘his way’ was never

really his, and that his only

profitable business is to find

a way that is. But who knows

 

if I'm right – and so what if I am.

“How to have a happy life?”

he asks. “Find the real –

ditch the sham?” As if I knew

the secret to reducing this

to tasks: could isolate the wings

and thorax of contentment like

 

a lepidopterist. I wish I were

an optimist – knew how to make

him laugh and sing – but I don't

know a half-a-thing. Scraped

down to the bone: "I love you,

honey – but like everybody

else, you're on your own."

 

 

December 16, 2006

 

Hush, little baby

don't you cry –

you know your mama's

bound to die –

 

 (Bahamian lullaby - source for “All My Trials”)

 

Last Straw

 

She receded due to climate change. Each

life must ride a range of weather – undergo

its chronic revolution: strange precipitation,

involuted storms and seasons, winds and

drought – within, without: no pause. The end –

 

eroded: she could only drink through straws,

and with the morphine, sometimes barely

then. I think it’s fair to venture to suggest that

I was there as much as anyone who wasn't

sleeping could have been: although at night,

 

when I had gone to bed, I wonder what went

on inside her head – if she worried whether

there'd be light where she was going next.

No text for this, but there was Sprite, which –

long as it was icy – she quite liked. I bought

 

a plastic bag of straws, the kind that bend:

a hundred of them. She sipped through six.

More than three years later now, I just

discovered that I've evidently gone through

all the rest but one. Maybe it’s all nearly done.

 

 

December 15, 2006

 

Sort of Man I Am

 

Some say we are the Net of Indra –

diamonds linked in strands – all infinite

reflections of each other; or we are

a hologram – illusory projections

of the Super-real (in every atom of

 

the micro find the macro): or we’re both.

One of my favorite lunches when

I was a kid was Spam my mother slid

out from its can and sliced and fried

and put on toast – all salty, bland,

 

transmogrified: it glistened like an Indra’s

net of meat, a hologram of ham. Today

we zap spam to a cyber purgatory where,

perhaps, it waits to be imagined as

an Internet of jewels to serve to fool

 

the eye by mirroring a sourceless light.

I bet if you transmogri-fried me up

a portion of the Indra-netted night,

it wouldn’t taste unlike a hologram

of my mom’s Spam. (Sort of man I am.)

 

 

December 14, 2006

 

All the Many Middle Distances

 

Loosely coiled lengths – gently tangled stretches:

warm as the idea of mothers: light as breath

and bothersome as tinsel – always just a little

tang of sex: skeins of dream and memory and

 

expectation from which you might weave a season:

tied to too much in the past; you’d like, you think,

to cut yourself completely from their grasp

but that would sever you from any life you know.

 

Always the extremist, you are drawn to glows of

other Universes physicists inform you are suggested

by the particles they study: why do you hate

Christmas so? You wish the particles you saw

 

at least were snow: but they’re the motes that float

in all the many middle distances that you’ve

investigated, from your bed, since you were very

small. They don’t suggest another Universe at all.

 

 

December 13, 2006

 

My Quarks and Leptons

 

Deviously powerful, unfathomably small –

my quarks and leptons stage revolts –

effecting showerfuls of rude unlikely

transformations, they defy the rules that

 

govern large and lumpen me: I am to them

as several billion miles of sky would be

to one pore on your skinny knee. And while

they’re playing wild and free – far from

 

the unimaginably huge environs of my

human potpourri – in all their weightless

idiosyncrasy (where they’ve the luxury to be,

and sometimes not to be) – I suffer

 

from Newtonian gravity that pulls from

every nasal cavity a substance not unlike

slime mold. My leptons, quarks could give

a flying you-know-what I’ve got a cold.

 

 

December 12, 2006

 

Happiness

 

My ears were full of pressure, Sunday,

off the plane at Kennedy – ‘til one by one,

in a cascade, their tiny packets popped

and riffled – just a block away from where

 

I live. At first the ripples seemed external:

as if keys I’d taken from my pocket had

cartoonishly and audibly awakened – were

reporting on their happiness at coming

 

home: I didn’t understand that quarters

of the many-chambered dome that holds

my brain had just, on my behalf, contrived

to clear my otic path of aural foam: implicitly

 

suggesting that they wouldn’t, for the moment,

let me down: they’d keep this sensory

appurtenance in check – since I had kept

my bargain to return to our beloved town.

 

 

December 11, 2006

 

Life, Sliced

 

Today my slice of life is buttered with a cold –

and lower back ache: not a bad cold, not a bad

ache, but enough to let me know today’s

repast won't be a piece of cake. There’s texture,

though, in tiny crags and crannies of my thick

and thin perceptions – little pockets of distress

fill up, let go, fill up, let go – seltzer bubbles

 

popping in my head. Abundant grays – like

unsuspected planes in 1940s film noir faces –

paint my space. It’s not a feeling you could label

good or bad – though has a certain grace. I take

some Ibuprofen, lie down: listen to the radio play

rounds of Brandenburg concerti, then bestir myself

to leave to take the subway to the upper west side

 

cat I tend. Entrained, everybody else’s slice

of life seems plain. A frowning Buddhist monk,

enrobed in brown – does he have hemorrhoids?

(he squirms so in his seat!) – two Mexicans sit

next to him with thick black glossy hair in peaks –

like Mayan icons loosed from a relief: the pews

are filled in subway church today: and everyone

 

appears to be preoccupied with his or her particular

and separate array, display and curds and whey.

I get off at my stop, and see the cat, who howls

with loneliness – I feed him, hug him, leave him –

then, while walking back, up West End Avenue,

I see a man whose slice of life is clearly far more

complicated than my own: like a Dürer etching,

 

he is thick with line and shadow, matted beard

and shiny balding pate, and pushes an amazing

shopping cart filled to the brim like Santa’s

sleigh with bulging bags of stuff, which wobbles

this way, that way: cornucopia of desolation.

He nods politely to me as he wheels and teeters

by – and each of us gets closer to a destination.

 

 

December 10, 2006

 

This is a Test

 

Four-twenty-five p.m. –

eleventh of December. Vermont’s

Green Mountains – to the left,